Tuesday, November 27, 2012

Interview with SM Bilal Erbatan


 
 
 
SM Guro Bilal Erbatan
 
What drew you into the martial arts & when?

 

-The necessity in that time period, the location and the living conditions drew me into martial arts.  

 

From your 1st combat arts instructor forward please give in order the instructor, the system, what rank achieved, how long you spent in each system, what influenced you the most about the systems, which systems influenced you the most, how did you meet each instructor of the systems & if any of the lessons do you still carry with you in your teaching methods?

 

-I trained in FMA Serrada Escrima as a single system. My master was Mustafa Günaydın. Since 2007 I have been teaching the system. I try to develop different interpretations in disarm-techniques.

 

-Natural reflexes, focusing, balance, reaction and velocity seem to me most impressive in the Serrada Escrima System.

 

-Master Mustafa Günaydın is also my uncle. Therefore, there has been easiness and some difficulties at the same time.

 

-Master Günaydın gave special importance to the technical knowledge and hardness.

 

What do you feel were the most impressive skills for each of your instructors?

 

-Disarm techniques. Cadana de mano.

 

What do you feel are the qualities that make the Filipino Martial Arts special & what qualities of each art you teach makes them special to you?

 

-The abilities I gained and the change in my students, the courage they won. 

 

What are the concepts and combat principals of each art that you teach?

 

-I continue with the Serrada Escrima and the discipline I gained in different martial arts. I always attend trainings.

 

What types of weapons do each art use that you teach?

 

-My program is based on stick (solo) and knife, mostly. Bolo, barong, kris, kampilan, binangon, pinah, karambit, balisong and kukris in different sizes are the tools, that we use. 




Please describe the "drills" of each system you teach & what are the benefits?

 

-As an instructor using a single system, I could say, Serada Escrima has a rich source for training. I also prefer rotation system. First month stick fighting, another month baraw, cadane de mano etc.. 

 

As you progressed as a student & teacher, have you found your knowledge of other systems a benefit to you? Have you been able to build on skills you learned from other systems?

 

Do you feel that after a student has learned Serrada Escrima or any FMA is it natural for them to eventually adapt & evolve into their own requirements, etc.?

 

-Yes.

 

Can the concepts and principles of FMA, in your opinion become valid & applicable for those interested in contemporary self defense training?

 

Please tell us about your organization, it's goals & where you see yourself & your organization over the next 10 yrs.

 

-Turkey became familiar with the Fma in 1990’s. In the last 2 years, we made it possible with the team spirit a well-known art in Turkey. We, the Turks have a warrior spirit.

 

For anyone interested in seminar or lessons how would they contact you?

 

-www.bedds.org

 

Thank you for your time & the valuable information.

SM Guro Bilal Erbatan w/students
 

Friday, November 9, 2012

Interview with GM *D* by David Foggie pt 2

                                                          
                                 

                                                 SGM *D* DC/Serrada System of Escrima Interview 

                                                                  By David Foggie                                                         

                                                                       (Part Two)


                                   (Q)Tell us about Martial Arts International? History, goals, etc?


(A) Martial Arts International is now known as the “World Serrada Escrima Federation”. The (WSEF) was founded in 2003, by me, and by Grand Professor Leo T. Fong; in order to further develop, promote, and to preserve the legacy of Supreme Great Grandmaster Angel Cabales. Anyone who wishes a more indebt understanding about the (WSEF) you can hit:

                                                                  http://www.zentrum-der-kampfkuenste.de



(Q) What is the relationship between SGGM Angel Cabales, GM Leo Giron and GM Max Sarmiento?


(A) The Honorable GM Max Sarmiento was the right-hand man and, a very good friend of SGGM Angel Cabales. GM Max Sarmiento was also responsible for convincing, and aiding SGGM Angel Cabales in opening up his first official public FMA School in the U.S.A. in Stockton, California in 1966. GM Leo Giron was a friend, assistant instructor, and in actuality he was a former student & FMA contemporary under SGGM Angel Cabales.


(Q) What about anyo (forms)? Did SGGM Angel Cabales teach any, and if so, could you please elaborate on them?

(A) No! SGGM Angel Cabales did not stress anyo’s or forms, but he wasn't against any of his students developing forms, katas, or anyo's as you call them either. SGGM Cabales strictly & mostly focused upon imparting his combat strategies, such as sparring, and upon reflexive/flowmatic drills primarily.


(Q) Do you balance the teaching of offensive and defensive techniques, or do you lean more towards one or the other?

(A) Within the fine art of Serrada Escrima there is no distinction between offensive or defensive maneuvers. Offensive and defensive maneuvers are interchangeable at any given moment or time.


(Q) What drills/methods do you use to develop and refine reactive movement/response and speed of reaction?

(A) I use many of the the same drills that SGGM Angel Cabales used for increasing one’s speed, reflexes and timing; however, I have also incorporated numerous hand, and foot drills that I borrowed from Western Boxing, along with other training drills borrowed from other martial arts systems that I am very proficient in.


(Q) Do you find a lot of experienced martial artists are training in FMA to learn the effective approach to weapons training?

(A) Definitely! I do find that there are more and more experienced martial artists from other styles who have, and are incorporating the stick, knife and empty hand techniques of FMA into their arts. Once again, FMA’s adaptability to any art form is the essential key as to why this is.


(Q) Are there any other benefits they may derive from FMA?


(A) Yes! When one enters into the world of Filipino martial arts, the opportunity to learn more about the different diverse cultures of the Philippines is accessible to the interested party(s). Each style or method of FMA has a tie to the different geographical areas, and to the various tribes within the Philippine Islands as well.

(Q) Many people have learnt FMA edged weapons components, and repackaged it for modern society citing it is more practical than the real FMA. What are your thoughts?


(A) This is one reason why conducting thorough background checks on different martial artists, and their systems of combat is so necessary. By clarifying the claims made by certain masters of destruction, one can get a better understanding as to what is authentic, and as to what is not authentic.


(Q) How do you approach teaching students to survive against an edged weapon(s) attack while unarmed? What are your views, and teaching methodology?


(A) There is no doubt that having to defend oneself against someone wielding an edged weapon could be extremely dangerous, and very fatal. I’ve always advocated to my students to run from any confrontation or combative encounter whenever the opportunity presents itself. Distance is always the best self-defense strategy around when someone intends to attack you with a weapon of any kind. However, when there is no other way out; I’ve taught my students to fight like a Moro warrior engaged in mortal combat. As there are no superior techniques when it comes down to how to survive in a life or death situation, a person must totally rely only upon their own natural instincts & skills, and do whatever is necessary in order to survive.

“Each survival story is different.” My upcoming book titled: Escrima Simplified/ A Fundamental Guide For Self-Defense; covers much in this area regarding natural instinctive self-defense fighting.


(Q) In teaching Serrada Eskrima, what do you feel is the most effective teaching method of instruction?

(A) There are many different effective ways to teach Serrada Escrima. I’ve never taught any of my students the art of Serrada Escrima in exactly the same way. Again, this is because different students have different needs, and we are all individuals.


(Q) You have taught Serrada Eskrima in Europe as well as the USA. Did you encounter problems in teaching and spreading the system?


(A) When I first took Serrada Escrima to Germany I encountered a lot of skepticism there regarding the effectiveness of the art. I was openly challenged on several occasions, and always the end results of every skirmish that I engaged in ended with the other person(s) getting hurt pretty bad. This is because Serrada Escrima is not designed to pull back strikes when one is actually engaged in combat.


(Q) Are you still planning on visiting Australia? If so, what is your purpose, and will you be conducting seminars?


(A) Yes! My purpose for visiting Australia is to continue the Serrada Escrima legacy by passing on GGM Angel Cabales’ art form to anyone who is earnestly willing to learn it. Currently, I am in the process of arranging a series of seminars in Australia.


(Q) The late legendary GGM Master Roland Dantes has met SGGM Angel Cabales. Did SGGM Cabales ever mention this to you, and if so, what did he say?

(A) Yes he did! SGGM Angel Cabales mentioned to me that he had met GGM Roland Dantes. GGM Angel Cabales referred to GGM Roland Dantes as the “Bruce Lee” of the Philippines, and said that he was one of the most humble martial artists and movie stars that he’d ever had the pleasure of personally meeting.

In my opinion! GGM Roland Dantes represents one of the integral centers and living historical roots of Filipino martial arts. GGM Dantes stands out as a human door to the past and to the present time. GGM Dantes has been very influential and very instrumental in shaping the future direction of the ancient martial traditions of the Philippines. Anyone that has ever personally met GGM Roland Dantes will agree and testify that this man was indeed a great officer, and a true gentleman within the arena of Filipino martial arts.

Also! GGM Roland Dantes is the epitome of a man that possessed an "indomitable spirit" & a man who possessed great courage while under heavy fire; I have nothing but total respect for him. Prior to GGM Roland Dantes’ passing he had recovered from one of the greatest medical battles that he had ever had to face. GGM Dantes underwent a delicate heart operation that nearly cost him his life.

However, even under this life threatening experience, GGM Roland Dantes came through it victoriously. The “World Serrada Escrima Federation” will forevermore recognize GGM Roland Dantes as one of the most influential FMA practitioners & FMA promoters worldwide. May the “Great Grandmaster” forever rest in peace.


I too have had the honor, and the distinct pleasure of meeting GGM Roland Dantes in person, and what GGM Angel Cabales said about him turned out to be entirely true.


(Q)What do you think the future holds for Serrada Eskrima; and for yourself?

(A) Today the art of Serrada Escrima has pretty much become a self-propelling art form all over the world; therefore it will just continue to expand, and grow as a living art. As for me! Well we will just have to wait and see what the future holds for me.


(Q) Thank you very much for your time SGM *D*.



(A) Salamat Po! You are indeed most very welcome.

Great Grandmaster Guru Roland Dantes

Monday, November 5, 2012

Interview with GM *D* by David Foggie pt 1


In the following interview you will learn more about
Supreme Grandmaster *D*s extensive martial arts background, and who were some of the people that influenced his unique & elite method of martial arts titled the “D METHOD OF SELF-DEFENSE”.

Interview Questions for Supreme Grandmaster *D*

{Part 1}

By David Foggie

 

(Q) What drew you to the martial arts, and more specifically FMA?

 

(SGD) Four media productions; ‘Odd Job’ in the James Bond series, ‘I Spy’ starring Robert Culp, and Bill Cosby, ‘Wild Wild West’ starring Robert Conrad, the movie “Tigers Revenge” starring Professor Leo T. Fong & SGGM Angel Cabales,”Our Man Flint” starring James Colburn, and of course the “Green Hornet” starring the legendary Bruce Lee. In regards to FMA! my first influences were GGM Remy Presas, Maha Guru Dan Inosanto, GM Richard Bustillo, GM Rene Latosa, and Guru Ted Lucaylucay.

 

(Q) Who has inspired you in the martial arts, and how have they influenced your training,

and your development?
 
       (A) I just mentioned Guro Dan Inosanto and GM Richard Bustillo, but the primary person who
      influenced me in the world of Filipino Martial Arts is the late SGGM Angel Cabales.
 By far Guro Dan Inosanto, and GM Richard Bustillo are two of the most prolific and inspirational martial artists in the business of combat. I have been highly inspired by both of these gentlemen in the area of exploring and developing my own method of self-defense. Additionally, Inosanto, and Bustillo are the true pioneers that have more publicly exposed the various styles of Filipino martial arts going as far back as the early seventies.

 

Both Guro Inosanto, and GM Bustillo have my utmost respect. However, as far as who is responsible for my fundamental development, and for my technical training in the arena of FMA, s, again! I’d have to give full credit to SGGM Angel Cabales. Angel Cabales put the actual combative touch of Escrima together for me in terms of actual live combat. Also, both Guro Dan Inosanto, and GM Richard Bustillo are two of SGGM Angel Cabales’ early 1970’s Serrada Escrima graduate students.

 

(Q) You also teach an eclectic system called, “The D Method of Self Defense”. What led you to this and what do you feel is the essence of it?

 

(A) The first developments of the “D Method of Self-Defense” began in 1971 out of the necessity to survive in the streets of Northern, California. In the early 1970,s the Hawaiian born art of Kajukenbo reigned supreme on the streets and in the Karate tournaments all across the nation as well. Certain practitioners of this art used this system in order to control, and to bully many innocent and unsuspecting people. I was one of the victims of these thuggish Kajukenbo bullies; and after surviving a severe beating from five of them; I decided to study the art of Kajukenbo in closer detail in order to discover ways that I could counter-attack Kajukenbo’s combative techniques. The primary essence of the “D Method of Self-Defense” is ongoing education in the area of martial arts. The more that one understands about the infrastructure of any particular system of martial arts, the quicker one can get to the essence or to the nucleus of that art.

 

(Q) In formulating your system, what systems and fighting arts did you draw from?

 

(A) In formulating my art form I drew knowledge from Kajukenbo, Wing Chun Gung Fu, Muay Thai Boxing, Thai Chi Chuan, Hung Gar Gung Fu, the fine art of Western Boxing, and since 1980, I have incorporated concepts from the Filipino martial arts as well.

 

(Q) SGM “D”, you learned Serrada Eskrima directly from the founder Supreme Great Grandmaster Angel Cabales. Any fond memories you would like to share?

 

(A) SGGM Angel Cabales was an extremely humble man. Also! Angel was very accepting of all those who earnestly came to him for Serrada Escrima instructions. My fondest memory of Angel Cabales was his down-to-earthiness.

 

(Q) How did you meet SGGM Angel Cabales and what was your impression of him and his system?

 

(A) In 1984 in San Francisco, California, I had scheduled a ‘Kali/Jeet Kune Do’ seminar featuring Guru Dan Inosanto. Guru Inosanto fell ill three days prior to the seminar, and SGGM Angel Cabales volunteered to be his stand in, along with the late Great Grandmaster’s Gilbert Tenio, and John Eliab. It was by way of SGM Rene Latosa that I was able to come into direct contact with all three of these Great Grandmasters. Of course when the seminar participants discovered that Guru Dan Inosanto would not be present at the seminar they were extremely upset, angry and very disappointed; however! once these same participants experienced firsthand SGGM Angel Cabales’ style of Serrada Escrima, they! Like me, were absolutely mind blown, meaning that they were extremely impressed.

 

(Q) In teaching you, and other students, what qualities do you think SGGM Angel Cabales was trying to develop?

 

(A) Keen reflexes and effective natural combative responses regarding any self-defense encounter. SGGM Angel Cabales’ primary goal regarding me was to impart to me some of his most refined lethal stick, knife & empty hand counter techniques, as he already knew that I was a very proficient empty hand/foot fighter.

 

(Q) Having trained under SGGM Angel Cabales, what do you think was the most impressive aspect of his skills?

 

(A) What I just mentioned. SGGM Angel Cabales possessed some of the fastest reflexes, or natural responses that I have ever witnessed in action. One day while I was down in Stockton, California along with one of my 3rd. generation students Guru Jeff “Stickman” Finder, SGGM Angel Cabales avoided being struck on the top his head by some very big and very heavy chimes. Cabales walked out of the front door of his home ahead of Finder and me, and then all of a sudden the chimes hanging from his porch roof fell unexpectedly, and were quickly zeroing in for the top of his head. With the speed of the blink of an eye SGGM Cabales snatched the chimes so fast with one hand that Finder and I barely saw what had taken place. Finder and I just gave each other that amazed & be-dazzled look knowing that we had just witnessed something very special, and rarely seen.

 

(Q) When SGGM Angel Cabales was alive what his method of instruction and syllabus was? Was there a structured method of instruction and syllabus, or was it unstructured?

 

(A) SGGM Angel Cabales had a very simple, and a very well structured syllabus. When I privately trained under Angel he started me out with the proper delivery of the first three

strikes and counterstrikes of his system of Escrima. Along with each strike there are at least nine or more possible counter techniques per strike, covering stick, blade and empty hand maneuvers. In all, there are twelve (12) strikes or progressive stages following the same formula just mentioned. Additionally, SGGM Cabales taught specific sensitivity drills on an advanced level, and also! on a masters level as well.

 

(Q) What do you feel makes Serrada Eskrima unique from your perspective? What are its strengths etc?

 

(A) What really makes Serrada Escrima unique is that it is adaptable to any other system or method of martial arts. The strength of Serrada Escrima is that it is very easy to learn, and it doesn’t require years and years to master. It is due to Serrada Escrima’s simplicity of application as to why the art has become so popular and has spread so fast all over the world.

 

(Q) In a nutshell what is the essence of Serrada Eskrima?

 

(A) The essence of Serrada Escrima is different for everyone that learns and applies the art. No two people are exactly the same, and because of Serrada Escrima’s adaptability to any individual’ character; this makes Serrada Escrima unconventional, and unique in its approach to combat or self-defense.

 

(Q) What are the fundamentals of Serrada Eskrima?

 

(A) The primary fundamentals of Serrada Escrima are economy of motion, simplicity in application, and “presence of mind”.

 

(Q) What are the concepts and combat principles of Serrada Eskrima?

 

(A) The first concepts of Serrada Escrima are that one must possess keen imagination, and also great projection skills. One must exercise sincere faith in the art in order for the art to be effective or true for that person. We cannot ignore the fact that Serrada Escrima is based upon ancient, profound and proven combative antidotes that have been passed down from several generations to the current generation of practitioners. When it comes down to actual combat Serrada Escrima is a proven art. Both SGGM Angel Cabales, and his teacher Supreme Grandmaster Guru Felicisimo Dizon were undisputed death-match champions in the Philippines, and in the U.S.A. Because of my, Cabales’ and Dizon’s combative exploits; I personally do not question the effectiveness of Serrada Escrima, nor the “D Method of Self-Defense”.

 

(Q) To me it looks as if Serrada Eskrima was originally a sword and dagger system. What is your view?

 

(A) Your analysis about Serrada Escrima being originally a blade art is correct. As Angel once said, “I always prefer to use a blade when it comes down to defending my life.”

 

(Q) What modality of weapons does Serrada Eskrima use? Single stick? Punta y daga? Dagger?

 

(A) Serrada Escrima is essentially a transitional system of combat, meaning that Serrada Escrima techniques will work well with or without any weapon(s).

 

(Q) Was SGGM Angel Cabales skilled in double sticks?

 

(A) SGGM Angel Cabales was very proficient with whatever he was holding in his hand(s) at the time. SGGM Angel Cabales made very little distinctions between certain types of weapons. According to Angel, when it comes down to real combat you cannot be too picky in regards to what type of weapon you prefer to use. As Angel’s system was primarily based upon espada y dagga tactics I did not ever witness him using double stick techniques. But this is not to say that he couldn’t use double stick techniques.

 

(Q) One of the central drills in Serrada Eskrima is “lock and block’. Could you please explain its aim, and what it entails?

 

(A) Once a student has become proficient in the (12) combination patterns of Serrada Escrima, a drill known as “lock and block” is introduced to the candidate. Essentially, the lock and block drill is designed to decrease the time span that it takes to transition from one counter technique to the other. One must quickly, and effectively nullify or counter an oncoming barrage of strikes or attacks without the time to prepare one’s self physically or mentally.

 

(Q) What exactly is “flow sparring”?

 

(A) This is another type of stick or knife drill that is designed to heighten the sensitivity, speed, precision and non thinking reflex action which helps a person to react instantaneously to any type of combative encounter.

 

(Q) Tell us about the other martial arts you learnt and who taught you?

 

(A) As mentioned before I am pretty proficient in other forms of martial arts such as; Kajukenbo, Thai Boxing, Tai Chi Chuan, Western Boxing, etc. My primary formal instructors are as follows: Master Sifu Phil Cornin of the Kajukenbo system of martial arts. Master Sifu Phil Cornin was a formidable tournament fighter, and street fighter. Phil Cornin’s instructors were Prof. Al Reyes Sr., Prof. Tony Ramos Sr. and Bruce Lee.

Sifu Cornin fought and defeated several top notch fighters such as Chuck Norris,

Benny Uquidez, and Louis Delgado.

 

My Tai Chi Chuan instructor was the late Grand Professor John K. Wong; the founding father of ‘Wu Shing Tai Chi Chuan.’ Lastly! My past and current Western Boxing coach is Jesus Lopez Sr. Jesus Lopez Sr. is a former boxing champion from Mexico City. As I’ve been teaching self-defense since 1971; I’ve literally taught well over a thousand people the different aspects of my particular method of martial arts. I have worked extensively with various law enforcement agencies from California to Germany’ various elite {GSG9} Special Forces Divisions.

 

Two of my former students have won major titles in the arena of ‘Filipino Sport Stick Fighting.’ These two former students’ names are WSEF Master Guru Jeff “Stickman” Finder, and WSEF Meister Guru Uwe Gutschow from Berlin, Germany. Master Finder took first place at the stick fighting championships held in the Philippines in 1989, and in 1996, Meister Uwe Gutschow won first place in the heavyweight division at the “World Escrima/Kali/Arnis Federation IV World Championships” held in Carson, California U.S.A... Both GM Richard Bustillo & SGM Cacoy Canete both witnessed my students victories at these particular stick fighting tournaments, as they both were the primary sponsors of these special events held in the U.S.A., and in the Philippines as well.

 

(Q) Did you find your previous training to be a benefit or a hindrance to learning?

Serrada Eskrima?

 

(A) Definitely all of the various styles of martial arts that I’ve studied have been very beneficial to my more intricate understanding concerning Serrada Escrima. A real good example is my background in the area of Tai Chi Chuan. By incorporating the principles of relaxation from Tai Chi Chuan into my Serrada Escrima strikes, and deflection blocks, I am able to more naturally generate internal power, and whip appeal into my Serrada Escrima tactics in a more effortless way.

 

(Q) Did your training under SGGM Angel Cabales take place at the school or privately?

 

(A) The majority of my {7} years of private training took place at SGGM Angel Cabales’ various residences in Stockton, California. As Angel agreed to teach me his art form personally and privately, I did not go to his academy that often.

 

(Q) So many of the well known instructors of FMA were taught by SGGM Angel Cabales such as Dan Inosanto, Richard Bustillo, Mike Inay, Rene Latosa, and Graciela Casillas. Do you feel his contributions to FMA are at times overlooked?

 

(A) Yes I do! Considering the fact that SGGM Angel Cabales opened up the first official Filipino martial arts school in America in 1966, you would think that American martial arts publications would have given him top notch billing on the covers of their magazines by now. Unfortunately, even after all of SGGM Angel Cabales’ efforts and contributions in the arena of promoting Filipino martial arts in America, he still has not been totally acknowledged by his many graduate students, and other FMA peers. However, in other countries such as; Australia, Germany, Switzerland, and Turkey, the Angel Cabales legacy has been fully embraced, and highly recognized due to much of my promotional efforts in these three particular countries.

 

(Q) What can you tell us of his training under Felicisimo Dizon?

 

(A) SGGM Angel Cabales told me that initially he wanted to become a professional boxer, but he soon discovered that he was not cut out for boxing. The fervor that SGGM Cabales possessed within him to be a champion fighter is what ultimately drew him to Supreme Grand Master Guru Dizon. Cabales said at first Dizon just ignored his requests to be taught his style of Escrima; but as Cabales continued to be persistent in his pursuit to learn from Dizon, Dizon finally conceded to teach him. At fifteen years old,

Angel Cabales speedily worked his way up the ranks in Dizon’s school. Soon afterwards Angel Cabales became the official defender of Dizon’s Escrima school defeating all challengers. As time progressed on, ultimately Dizon accepted Cabales as his friend, and as his right-hand man.

 

(Q) What is known of Felicisimo Dizon (his life, style, etc)?

 

(A) SGGM Cabales told me that Dizon was a kind, and a very gentle man, and that he was an arch defender of womanhood. Cabales recalled many incidences where Dizon saved women from the clutches of would-be rapists and other criminal elements. According to Cabales, Dizon possessed what is known in the Philippines as “anting-anting” or super natural powers. Angel Cabales witnessed firsthand Dizon’ telepathic and, his clairvoyant abilities. When it came to actual combat, Cabales said that Dizon could predict just how a fight would pan out before it actually happened.

 

As Cabales, and Dizon were close partners they experienced several fights and challenges together against other stick and knife fighters, and in every encounter Dizon and Cabales were the victors. Cabales stated that Supreme Grand Master Guru Felicisimo Dizon had never been defeated in any combative encounter that he was aware of.

 

(Q) Dizon’s style was known as “De Cuerdas”. Did SGGM Angel Cabales ever elaborate about what it entailed and what innovations did he make?

 

(A) Yes he did! Cabales stated that Dizon’s system of Escrima known as “De Cuerdas” which means (of rope) in Spanish is primarily a blade art. Cabales elaborated to me that the Cabales Serrada System of Escrima is a modification style of De Cuerdas. Also, Cabales said that he modified Dizon’s system of “De Cuerdas” because there are many De Cuerdas techniques that Dizon could perform that he could not perform. Thus! is why SGGM Angel Cabales added new innovations such as empty hand techniques, “Lock and Block Drills” and the science of “Picking” within the art of “De Cuerdas”. SGGM Angel Cabales explained to me that his style of Serrada Escrima is a relative art to

“De Cuerdas”, and that all of the other systems of Filipino stick and knife fighting can be found within both “De Cuerdas”, and within Serrada Escrima.

 

(Q) From what I know, Dizon was a compadre of Antonio Ilustrisimo. Since Ilustrisimo, Dizon and Cabales knew each other; did Angel ever talk about them?

 

(A) To be honest, I never heard SGGM Angel Cabales mention anything about GM Ilustrisimo; however, because Cabales never mentioned anything to me about GM Ilustrisimo, but that doesn’t mean that he did not know of him.

 

(Q) Since SGGM Angel Cabales’ passing, have you retained Serrada as he taught you or have you evolved it further?

 

(A) Both! For all those who want to learn the “Cabales Serrada System of Escrima” exactly as Angel personally taught it to me; I offer them Angel’s original teachings. And then for all those who desire to learn my more updated system of self-defense called the “DC Serrada System of Escrima” I offer my own modification style. Keep in mind that SGGM Angel Cabales also created his own modification style of Escrima as well.

 

(Q) There has been controversy in Serrada Eskrima since the death of Angel. Would you like to comment?

 

(A) Most of the controversy within the fraternity of adherents of Serrada Escrima stems from financial motivation, and greed. Personally speaking anyone who studied Serrada Escrima directly from SGGM Angel Cabales has their own unique experiences with him, and how each Angel Cabales recipient wants to interpret their version of Serrada Escrima is entirely up to them.

 

(Q) Why do you think there have been so many political problems?

 

(A) Again, it mostly boils down to the fact that Serrada Escrima has become more popular within the world of martial arts, and therefore! That means that the art has become a very lucrative, and a more marketable product.

 

(Q) Many people claim to know Serrada Eskrima. What should a prospective student look for?

 

(A) A prospective student should always check a persons lineage, and credentials in regards to where and who that person learned Serrada Escrima from. Also! keep in mind that just because a person studied or learned the art of Serrada Escrima it doesn’t necessarily qualify that person as being a good, and a thorough teacher of Serrada Escrima. Some people are more geared for demonstrating, and fighting than they are for teaching. Just because a person is a good fighter doesn’t necessarily mean that they are good conveyors of passing on profound knowledge.

 

(Q) When you were training under SGGM Angel Cabales did you foresee how popular Serrada Eskrima and other FMA systems would become?

 

(A) Yes I did! Especially the art of Serrada Escrima. In a nutshell, Serrada Escrima is the “Jeet Kune Do” of Filipino martial arts. Jeet Kune Do is the most popular, and is the most famous martial arts system in the entire world. In many ways the combative aspects of Serrada Escrima along with the combative aspects of ‘Jeet Kune Do’ are synonymous. That’s why I suspect Guro Dan Inosanto combined the two art forms together along with other effective systems of fighting. You can see Dan Inosanto use Serrada Escrima stick tactics against Bruce Lee in the film “Game of Death”.

 

Additionally, because of this fact many of Bruce Lee’s original core students studied, and incorporated the Serrada System of Escrima into their own personal styles of JKD; such as, GM Richard Bustillo, Professor Leo T. Fong, and many more others as well.

 

(Q) What about disarming techniques. Why is it that FMA stress learning, and developing disarming skills?

 

(A) As I have worked extensively in the field of law enforcement for many years as a private consultant, I have found that it is essential to have a workable knowledge of disarming techniques. In the field of law enforcement if an officer of the law encounters a person who is wielding a weapon, the first rule of law is to verbally try to disarm that person. The next major step is to physically attempt to disarm, and then to restrain a person (s); and this is the area where disarming techniques becomes so essential to know. The same set of rules applies to the average citizen as well. Also, there can be serious legal repercussions if a law enforcement officer does not do his or her job correctly in regards to over-kill tactics.

 

(Q) What was the view and approach of SGGM Angel Cabales in teaching disarming tactics and their practicality in combat?

 

(A) SGGM Angel Cabales’ viewpoint and approach in teaching disarming techniques, is based upon the fact that it is not always necessary to kill or to strike an opponent down in order to control them. Therefore! if you can successfully disarm a person this should be one’ first rule of self- defense whether they are law enforcement officers, or the average citizen.

 

(Q) I always stress to students that the time must be right and the opportunity available to use disarms.

 

(A) You are very correct; as timing constitutes winning half of the battle.

 

(Q) If someone only wants to learn Serrada Eskrima, do you teach them?

 

(A) Yes I do! This is because as a teacher it is important to deal with each individual as an individual. Everybody has different needs and requirements, and a master teacher should be able to cater to almost anyone’s special needs.

 

(Q) Can the concepts and principles of FMA become valid and applicable for those interested in contemporary self defense training?

 

(A) Without a doubt! This is because Filipino martial arts can be applied, and adapted into any type of format when it comes down to contemporary self-defense training.

 

(Q) Do you feel that after a student has learnt Serrada Eskrima or any system, it is natural for them to eventually adapt and evolve into their own requirements, physique etc?

 

(A) To me, and to many other martial arts practitioners this is the main essential goal of mastering any form of martial arts, to become your own man or woman sort of speak.
 

 
{L-to-R} German Associate Grandmaster Guru Ronald Ruppin & Supreme Grandmaster *D*

{To Be Continued}